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Around BC, the main techniques of working gold in Greece included casting, twisting bars, and making wire. The forms and shapes of jewellery in ancient Greece such as the armring 13th century BC , brooch 10th century BC and pins 7th century BC , have varied widely since the Bronze Age as well.

Other forms of jewellery include wreaths, earrings, necklace and bracelets. Jewellery dating from to BC is not well represented in the archaeological record, but after the Persian wars the quantity of jewellery again became more plentiful.

By BC, the Greeks had mastered making coloured jewellery and using amethysts , pearl , and emeralds. Also, the first signs of cameos appeared, with the Greeks creating them from Indian Sardonyx , a striped brown pink and cream agate stone.

Greek jewellery was often simpler than in other cultures, with simple designs and workmanship. However, as time progressed, the designs grew in complexity and different materials were soon used.

Jewellery in Greece was hardly worn and was mostly used for public appearances or on special occasions.

It was frequently given as a gift and was predominantly worn by women to show their wealth, social status, and beauty. The jewellery was often supposed to give the wearer protection from the " Evil Eye " or endowed the owner with supernatural powers , while others had a religious symbolism.

Older pieces of jewellery that have been found were dedicated to the Gods. They worked two styles of pieces: Fewer pieces of cast jewellery have been recovered.

It was made by casting the metal onto two stone or clay moulds. The two halves were then joined together, and wax , followed by molten metal, was placed in the centre.

This technique had been practised since the late Bronze Age. The more common form of jewellery was the hammered sheet type. Sheets of metal would be hammered to thickness and then soldered together.

The inside of the two sheets would be filled with wax or another liquid to preserve the metal work. Different techniques, such as using a stamp or engraving, were then used to create motifs on the jewellery.

Jewels may then be added to hollows or glass poured into special cavities on the surface. The Greeks took much of their designs from outer origins, such as Asia, when Alexander the Great conquered part of it.

In earlier designs, other European influences can also be detected. When Roman rule came to Greece, no change in jewellery designs was detected. However, by 27 BC, Greek designs were heavily influenced by the Roman culture.

That is not to say that indigenous design did not thrive. Numerous polychrome butterfly pendants on silver foxtail chains, dating from the 1st century, have been found near Olbia , with only one example ever found anywhere else.

Although jewellery work was abundantly diverse in earlier times, especially among the barbarian tribes such as the Celts , when the Romans conquered most of Europe, jewellery was changed as smaller factions developed the Roman designs.

The most common artefact of early Rome was the brooch , which was used to secure clothing together. The Romans used a diverse range of materials for their jewellery from their extensive resources across the continent.

As early as 2, years ago, they imported Sri Lankan sapphires and Indian diamonds and used emeralds and amber in their jewellery.

In Roman-ruled England , fossilised wood called jet from Northern England was often carved into pieces of jewellery. The early Italians worked in crude gold and created clasps, necklaces, earrings, and bracelets.

They also produced larger pendants that could be filled with perfume. Like the Greeks, often the purpose of Roman jewellery was to ward off the "Evil Eye" given by other people.

Although women wore a vast array of jewellery, men often only wore a finger ring. Although they were expected to wear at least one ring, some Roman men wore a ring on every finger, while others wore none.

Roman men and women wore rings with an engraved gem on it that was used with wax to seal documents, a practice that continued into medieval times when kings and noblemen used the same method.

After the fall of the Roman Empire, the jewellery designs were absorbed by neighbouring countries and tribes.

Post-Roman Europe continued to develop jewellery making skills. The Celts and Merovingians in particular are noted for their jewellery, which in terms of quality matched or exceeded that of the Byzantine Empire.

Clothing fasteners, amulets, and, to a lesser extent, signet rings , are the most common artefacts known to us. A particularly striking Celtic example is the Tara Brooch.

The Torc was common throughout Europe as a symbol of status and power. By the 8th century, jewelled weaponry was common for men, while other jewellery with the exception of signet rings seemed to become the domain of women.

A young girl was buried with: Note the Visigoth work shown here, and the numerous decorative objects found at the Anglo-Saxon Ship burial at Sutton Hoo Suffolk , England are a particularly well-known example.

The Eastern successor of the Roman Empire, the Byzantine Empire , continued many of the methods of the Romans, though religious themes came to predominate.

Unlike the Romans, the Franks, and the Celts, however, Byzantium used light-weight gold leaf rather than solid gold, and more emphasis was placed on stones and gems.

As in the West, Byzantine jewellery was worn by wealthier females, with male jewellery apparently restricted to signet rings.

Like other contemporary cultures, jewellery was commonly buried with its owner. The Renaissance and exploration both had significant impacts on the development of jewellery in Europe.

By the 17th century, increasing exploration and trade led to increased availability of a wide variety of gemstones as well as exposure to the art of other cultures.

Whereas prior to this the working of gold and precious metal had been at the forefront of jewellery, this period saw increasing dominance of gemstones and their settings.

An example of this is the Cheapside Hoard , the stock of a jeweller hidden in London during the Commonwealth period and not found again until It contained Colombian emerald , topaz , amazonite from Brazil, spinel , iolite , and chrysoberyl from Sri Lanka, ruby from India, Afghan lapis lazuli , Persian turquoise , Red Sea peridot , as well as Bohemian and Hungarian opal , garnet , and amethyst.

Large stones were frequently set in box-bezels on enamelled rings. When Napoleon Bonaparte was crowned as Emperor of the French in , he revived the style and grandeur of jewellery and fashion in France.

Another fashion trend resurrected by Napoleon was the cameo. Soon after his cameo decorated crown was seen, cameos were highly sought.

The period also saw the early stages of costume jewellery , with fish scale covered glass beads in place of pearls or conch shell cameos instead of stone cameos.

New terms were coined to differentiate the arts: Starting in the late 18th century, Romanticism had a profound impact on the development of western jewellery.

Changing social conditions and the onset of the Industrial Revolution also led to growth of a middle class that wanted and could afford jewellery. As a result, the use of industrial processes, cheaper alloys, and stone substitutes led to the development of paste or costume jewellery.

Distinguished goldsmiths continued to flourish, however, as wealthier patrons sought to ensure that what they wore still stood apart from the jewellery of the masses, not only through use of precious metals and stones but also though superior artistic and technical work.

A category unique to this period and quite appropriate to the philosophy of romanticism was mourning jewellery. It originated in England, where Queen Victoria was often seen wearing jet jewellery after the death of Prince Albert , and it allowed the wearer to continue wearing jewellery while expressing a state of mourning at the death of a loved one.

The modern production studio had been born and was a step away from the former dominance of individual craftsmen and patronage.

This period also saw the first major collaboration between East and West. Many whimsical fashions were introduced in the extravagant eighteenth century.

Cameos that were used in connection with jewellery were the attractive trinkets along with many of the small objects such as brooches, ear-rings and scarf-pins.

Some of the necklets were made of several pieces joined with the gold chains were in and bracelets were also made sometimes to match the necklet and the brooch.

At the end of the Century the jewellery with cut steel intermixed with large crystals was introduced by an Englishman, Matthew Boulton of Birmingham.

Motifs included orchids, irises, pansies, vines, swans, peacocks, snakes, dragonflies, mythological creatures, and the female silhouette. Enamels played a large role in technique, while sinuous organic lines are the most recognisable design feature.

The end of World War I once again changed public attitudes, and a more sober style developed. Growing political tensions, the after-effects of the war, and a reaction against the perceived decadence of the turn of the 20th century led to simpler forms, combined with more effective manufacturing for mass production of high-quality jewellery.

Covering the period of the s and s, the style has become popularly known as Art Deco. Walter Gropius and the German Bauhaus movement, with their philosophy of "no barriers between artists and craftsmen" led to some interesting and stylistically simplified forms.

Modern materials were also introduced: Technical mastery became as valued as the material itself. In the West, this period saw the reinvention of granulation by the German Elizabeth Treskow , although development of the re-invention has continued into the s.

It is based on the basic shapes. In Asia, the Indian subcontinent has the longest continuous legacy of jewellery making anywhere, [ citation needed ] with a history of over 5, years.

Early jewellery making in China started around the same period, but it became widespread with the spread of Buddhism around 2, years ago. The Chinese used silver in their jewellery more than gold.

Blue kingfisher feathers were tied onto early Chinese jewellery and later, blue gems and glass were incorporated into designs.

However, jade was preferred over any other stone. The Chinese revered jade because of the human-like qualities they assigned to it, such as its hardness, durability, and beauty.

Jade rings from between the 4th and 7th centuries BC show evidence of having been worked with a compound milling machine , hundreds of years before the first mention of such equipment in the west.

In China, the most uncommon piece of jewellery is the earring, which was worn neither by men nor women. Dragons, Chinese symbols, and phoenixes were frequently depicted on jewellery designs.

The Chinese often placed their jewellery in their graves. Most Chinese graves found by archaeologists contain decorative jewellery. The Indian subcontinent has a long jewellery history, which went through various changes through cultural influence and politics for more than 5,—8, years.

Because India had an abundant supply of precious metals and gems, it prospered financially through export and exchange with other countries.

While European traditions were heavily influenced by waxing and waning empires, India enjoyed a continuous development of art forms for some 5, years.

By BC, the peoples of the Indus Valley were creating gold earrings and necklaces, bead necklaces, and metallic bangles. Before BC, prior to the period when metals were widely used, the largest jewellery trade in the Indus Valley region was the bead trade.

Beads in the Indus Valley were made using simple techniques. First, a bead maker would need a rough stone, which would be bought from an eastern stone trader.

The stone would then be placed into a hot oven where it would be heated until it turned deep red, a colour highly prized by people of the Indus Valley.

The red stone would then be chipped to the right size and a hole bored through it with primitive drills. The beads were then polished. Some beads were also painted with designs.

This art form was often passed down through the family. Children of bead makers often learned how to work beads from a young age. Each stone had its own characteristics related to Hinduism.

Jewellery in the Indus Valley was worn predominantly by females, who wore numerous clay or shell bracelets on their wrists. They were often shaped like doughnuts and painted black.

Over time, clay bangles were discarded for more durable ones. In present-day India , bangles are made out of metal or glass. Although women wore jewellery the most, some men in the Indus Valley wore beads.

The beads were about one millimetre long. A female skeleton presently on display at the National Museum, New Delhi, India wears a carlinean bangle bracelet on her left hand.

Kada is a special kind of bracelet and is widely popular in Indian culture. They symbolizes animals like peacock, elephant, [43] etc.

According to Hindu belief, gold and silver are considered as sacred metals. Gold is symbolic of the warm sun, while silver suggests the cool moon.

Both are the quintessential metals of Indian jewellery. Pure gold does not oxidise or corrode with time, which is why Hindu tradition associates gold with immortality.

Gold imagery occurs frequently in ancient Indian literature. In the Vedic Hindu belief of cosmological creation, the source of physical and spiritual human life originated in and evolved from a golden womb hiranyagarbha or egg hiranyanda , a metaphor of the sun, whose light rises from the primordial waters.

Only royalty and a few others to whom they granted permission could wear gold ornaments on their feet. This would normally be considered breaking the appreciation of the sacred metals.

Even though the majority of the Indian population wore jewellery, Maharajas and people related to royalty had a deeper connection with jewellery.

He was considered as a divine being, a deity in human form, whose duty was to uphold and protect dharma, the moral order of the universe.

Navaratna nine gems is a powerful jewel frequently worn by a Maharaja Emperor. Each of these stones is associated with a celestial deity, represented the totality of the Hindu universe when all nine gems are together.

The diamond is the most powerful gem among the nine stones. There were various cuts for the gemstone. Indian Kings bought gemstones privately from the sellers.

Maharaja and other royal family members value gem as Hindu God. They exchanged gems with people to whom they were very close, especially the royal family members and other intimate allies.

As the empire matured, differing styles of ornament acquired the generic name of sarpech , from sar or sir, meaning head, and pech, meaning fastener.

India was the first country to mine diamonds , with some mines dating back to BC. India traded the diamonds, realising their valuable qualities.

Mughal emperors and Kings used the diamonds as a means of assuring their immortality by having their names and worldly titles inscribed upon them.

Moreover, it has played and continues to play a pivotal role in Indian social, political, economic, and religious event, as it often has done elsewhere.

In Indian history, diamonds have been used to acquire military equipment, finance wars, foment revolutions, and tempt defections.

They have contributed to the abdication or the decapitation of potentates. They have been used to murder a representative of the dominating power by lacing his food with crushed diamond.

Indian diamonds have been used as security to finance large loans needed to buttress politically or economically tottering regimes. Victorious military heroes have been honoured by rewards of diamonds and also have been used as ransom payment for release from imprisonment or abduction.

Jewellery played a major role in the fate of the Americas when the Spanish established an empire to seize South American gold. Jewellery making developed in the Americas 5, years ago in Central and South America.

Large amounts of gold was easily accessible, and the Aztecs , Mixtecs , Mayans , and numerous Andean cultures, such as the Mochica of Peru, created beautiful pieces of jewellery.

With the Mochica culture, goldwork flourished. The pieces are no longer simple metalwork, but are now masterful examples of jewellery making. Pieces are sophisticated in their design, and feature inlays of turquoise, mother of pearl, spondylus shell, and amethyst.

The nose and ear ornaments, chest plates, small containers and whistles are considered masterpieces of ancient Peruvian culture.

Among the Aztecs, only nobility wore gold jewellery, as it showed their rank, power, and wealth. Gold jewellery was most common in the Aztec Empire and was often decorated with feathers from Quetzal birds and others.

In general, the more jewellery an Aztec noble wore, the higher his status or prestige. The Emperor and his High Priests, for example, would be nearly completely covered in jewellery when making public appearances.

Although gold was the most common and a popular material used in Aztec jewellery, jade , turquoise , and certain feathers were considered more valuable.

Priests also used gem-encrusted daggers to perform animal and human sacrifices. Another ancient American civilization with expertise in jewellery making were the Maya.

At the peak of their civilization, the Maya were making jewellery from jade, gold, silver, bronze , and copper. Maya designs were similar to those of the Aztecs, with lavish headdresses and jewellery.

The Maya also traded in precious gems. However, in earlier times, the Maya had little access to metal, so they made the majority of their jewellery out of bone or stone.

Merchants and nobility were the only few that wore expensive jewellery in the Maya region, much the same as with the Aztecs. The turquoise was used in necklaces and to be placed in earrings.

Native Americans with access to oyster shells, often located in only one location in America, traded the shells with other tribes, showing the great importance of the body adornment trade in Northern America.

Native American jewellery is the personal adornment, often in the forms of necklaces, earrings, bracelets, rings, pins, brooches, labrets, and more, made by the Indigenous peoples of the United States.

Native American jewellery reflects the cultural diversity and history of its makers. Native American tribes continue to develop distinct aesthetics rooted in their personal artistic visions and cultural traditions.

Artists create jewellery for adornment, ceremonies, and trade. Lois Sherr Dubin writes, "[i]n the absence of written languages, adornment became an important element of Indian [Native American] communication, conveying many levels of information.

It remains a major statement of tribal and individual identity. Metalsmiths, beaders, carvers, and lapidaries combine a variety of metals, hardwoods, precious and semi-precious gemstones, beadwork , quillwork , teeth, bones, hide, vegetal fibres, and other materials to create jewellery.

Contemporary Native American jewellery ranges from hand-quarried and processed stones and shells to computer-fabricated steel and titanium jewellery.

Jewellery making in the Pacific started later than in other areas because of recent human settlement. Early Pacific jewellery was made of bone, wood, and other natural materials, and thus has not survived.

Most Pacific jewellery is worn above the waist, with headdresses, necklaces, hair pins, and arm and waist belts being the most common pieces.

Jewellery in the Pacific, with the exception of Australia, is worn to be a symbol of either fertility or power. Elaborate headdresses are worn by many Pacific cultures and some, such as the inhabitants of Papua New Guinea , wear certain headdresses once they have killed an enemy.

Tribesman may wear boar bones through their noses.

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